tag:blogger.com,1999:blog-16398571.post5366028964026706217..comments2023-10-30T11:57:26.749+01:00Comments on SCREENVILLE: Overfed Hollywood EconomistsUnknownnoreply@blogger.comBlogger2125tag:blogger.com,1999:blog-16398571.post-5527643358514568662012-04-12T20:09:23.202+02:002012-04-12T20:09:23.202+02:00"In today’s digital distribution market, whic..."In today’s digital distribution market, which ranges from VOD, to iTunes and other smaller online outlets, the numbers are hard to find or verify. [..]<br />Distributors try to hide or not make public their fees or the specific revenues from VOD. Why do they do this? Simply, it’s harder to analyze and compare options. When one can do this properly, you quickly realize how excessive fees areHarryTuttlehttps://www.blogger.com/profile/10721542203087536185noreply@blogger.comtag:blogger.com,1999:blog-16398571.post-51819914602515103542012-04-03T17:16:20.090+02:002012-04-03T17:16:20.090+02:00"The global success of James Cameron's 19..."The global success of James Cameron's 1997 disaster film opened the doors for $200m-grossing blockbusters, but eroded the status of the 'singular' film [..]<br /> Titanic arrived just as Hollywood's profit-centre was switching from US domestic to the overseas market, and it was the most dramatic demonstration yet of what a sustained global haul could achieve (it did just HarryTuttlehttps://www.blogger.com/profile/10721542203087536185noreply@blogger.com