tag:blogger.com,1999:blog-16398571.post7952768728071214526..comments2023-10-30T11:57:26.749+01:00Comments on SCREENVILLE: Hollywood émigrésUnknownnoreply@blogger.comBlogger7125tag:blogger.com,1999:blog-16398571.post-19083665890970967182012-02-26T09:55:11.991+01:002012-02-26T09:55:11.991+01:00"It’s easy to argue that most of the greatest..."It’s easy to argue that most of the greatest filmmakers in the history of movies can’t be reduced to single nationalities, and that an uncommon number of them worked as expatriates. [..]<br />Speaking as someone who lived for almost eight years as an American expatriate in Paris and London, I’d argue that my appreciation of American movies — and of America more generally — was broadened andHarryTuttlehttps://www.blogger.com/profile/10721542203087536185noreply@blogger.comtag:blogger.com,1999:blog-16398571.post-71440901932542780542012-01-20T14:48:45.625+01:002012-01-20T14:48:45.625+01:00"We are trying to lessen sales resistance in ..."We are trying to lessen sales resistance in those countries that want to build up their own industries. We are trying to do that by internationalizing this art, by drawing on the old countries for the best talent that they possess in the way of artists, directors, and technicians and bringing these people over to our country, by drawing on their literary talents, taking their choicest HarryTuttlehttps://www.blogger.com/profile/10721542203087536185noreply@blogger.comtag:blogger.com,1999:blog-16398571.post-30863545306835218992012-01-20T14:35:14.540+01:002012-01-20T14:35:14.540+01:00"There are no Americans. America is full of f..."There are no Americans. America is full of foreigners"<br />Alfred Hitchcock; quoted by Truffaut; 1967HarryTuttlehttps://www.blogger.com/profile/10721542203087536185noreply@blogger.comtag:blogger.com,1999:blog-16398571.post-65543033109975829882011-11-12T00:26:24.525+01:002011-11-12T00:26:24.525+01:00"Capino’s focus is on the ambivalent, ambiguo..."Capino’s focus is on the ambivalent, ambiguous, love-hate, largely one-sided relationship between the Philippines and the United States, and how this affects Filipino and Filipino-American filmmaking. Note the crucial qualifier in that description: Capino doesn’t spend too much time with Filipino influence on American filmmaking, which at most consists of Gerardo De Leon and Eddie Romero’s HarryTuttlehttps://www.blogger.com/profile/10721542203087536185noreply@blogger.comtag:blogger.com,1999:blog-16398571.post-58942513764977986182011-10-27T10:47:50.418+02:002011-10-27T10:47:50.418+02:00Hugo Fregonese, un Argentin à Hollywood, Olivier P...<a href="http://olivierpere.wordpress.com/2011/10/27/hugo-fregonese-un-argentin-a-hollywood/" rel="nofollow">Hugo Fregonese, un Argentin à Hollywood</a>, Olivier Père (27 Oct 2011)HarryTuttlehttps://www.blogger.com/profile/10721542203087536185noreply@blogger.comtag:blogger.com,1999:blog-16398571.post-1714597923926837162011-10-20T12:40:43.668+02:002011-10-20T12:40:43.668+02:00Yes, of course.
The point is to show how much non...Yes, of course. <br />The point is to show how much non-domestic culture these countries are willing to watch or not. Australia doesn't even make 40 films a year, that's less than 1 new release each week. The Australian exhibition is dependent on foreign production (80% of which come from Hollywood). American cinema is still considered foreign culture in Australia, it counts as opening toHarryTuttlehttps://www.blogger.com/profile/10721542203087536185noreply@blogger.comtag:blogger.com,1999:blog-16398571.post-1214013396901807962011-10-20T05:35:20.976+02:002011-10-20T05:35:20.976+02:00my question is if Hollywood movies are counted as ...my question is if Hollywood movies are counted as foreign in the other nations in the graph. i.e. are australian people seeing hollywood films? yes. In the graph, are these Hollywood productions counted as foreign? that's my question.Emmanuelnoreply@blogger.com