Films used as illustrations for each aesthetic category :
0. ACADEMISM (State of the Art) = Helvetica (2007/Hustwit/USA) 1. PSYCHOLOGY (Psychodrama) = Waltz With Bashir (2008/Folman/Israel) 2. FORMALISM (Perfectionism) = The Fog of War: Eleven Lessons from the Life of Robert S. McNamara (2003/Morris/USA) 3. EXPRESSIONISM (Exagerated) = Le mystère Picasso (1956/Clouzot/France) 4. MANNERISM (Baroque) = Exit Through The Gift Shop (2010/Banksy/USA/UK) 5. CONFORMISM (Conventional) = The Greatest Movie Ever Sold (2011/Spurlock/USA) 6. HYPERREALISM (Photorealism) = Shoah (1985/Lanzmann/France) 7. NATURALISM (Realism) = Sweetgrass (2009/Castaing-Taylor/USA) 8. MODERNISM (Deconstruction) = F for Fake (1973/Welles/France) 9. SPIRITUAL (Metaphysical) = A Brief History of Time (1991/Morris/USA) 10. IDEOLOGICAL (Political) = Bowling For Columbine (2002/Moore/USA) 11. DIDACTIC (Educational) = An Inconvenient Truth (2006/Guggenheim/USA) 12. GRANDILOQUENT (Epic) = The Man With a Movie Camera (1929/Vertov/USSR) 13. LYRICAL (Musical) = Koyaanisqatsi (1982/Reggio/USA) 14. IMPRESSIONIST (Brushstrokes) = À propos de Nice (1930/Vigo/France) 15. SYMBOLISM (Psychedelic) = Le chant du styrène (1959/Resnais/France) 16. ABSTRACT (Geometrical) = La région centrale (1971/Snow/Canada) 17. SURREALIST (Oneiric) = Impressions de la haute Mongolie (1976/Dali/West Germany) 18. PARODY (Comedy) = La commune (Paris, 1871) (2000/Watkins/France) 19. AMATEUR (Crude) = Grizzly Man (2005/Herzog/USA) 20. PRIMITIVE (Simple) = Sortie des usines Lumière (1895/Lumière/France) 21. CONTEMPLATIVE = Our Daily Bread (2005/Geyrhalter/Germany) 22. MINIMALISM (Purism) = La marche de l'empereur (2005/Jacquet/France) 23. IMMANENT (Rotoscoping) = Titicut Follies (1967/Wiseman/USA) 24. CONCEPTUAL = The Corporation (2003/Achbar/Abbott/USA)
Films used as illustrations for each aesthetic category :
RépondreSupprimer0. ACADEMISM (State of the Art) = Helvetica (2007/Hustwit/USA)
1. PSYCHOLOGY (Psychodrama) = Waltz With Bashir (2008/Folman/Israel)
2. FORMALISM (Perfectionism) = The Fog of War: Eleven Lessons from the Life of Robert S. McNamara (2003/Morris/USA)
3. EXPRESSIONISM (Exagerated) = Le mystère Picasso (1956/Clouzot/France)
4. MANNERISM (Baroque) = Exit Through The Gift Shop (2010/Banksy/USA/UK)
5. CONFORMISM (Conventional) = The Greatest Movie Ever Sold (2011/Spurlock/USA)
6. HYPERREALISM (Photorealism) = Shoah (1985/Lanzmann/France)
7. NATURALISM (Realism) = Sweetgrass (2009/Castaing-Taylor/USA)
8. MODERNISM (Deconstruction) = F for Fake (1973/Welles/France)
9. SPIRITUAL (Metaphysical) = A Brief History of Time (1991/Morris/USA)
10. IDEOLOGICAL (Political) = Bowling For Columbine (2002/Moore/USA)
11. DIDACTIC (Educational) = An Inconvenient Truth (2006/Guggenheim/USA)
12. GRANDILOQUENT (Epic) = The Man With a Movie Camera (1929/Vertov/USSR)
13. LYRICAL (Musical) = Koyaanisqatsi (1982/Reggio/USA)
14. IMPRESSIONIST (Brushstrokes) = À propos de Nice (1930/Vigo/France)
15. SYMBOLISM (Psychedelic) = Le chant du styrène (1959/Resnais/France)
16. ABSTRACT (Geometrical) = La région centrale (1971/Snow/Canada)
17. SURREALIST (Oneiric) = Impressions de la haute Mongolie (1976/Dali/West Germany)
18. PARODY (Comedy) = La commune (Paris, 1871) (2000/Watkins/France)
19. AMATEUR (Crude) = Grizzly Man (2005/Herzog/USA)
20. PRIMITIVE (Simple) = Sortie des usines Lumière (1895/Lumière/France)
21. CONTEMPLATIVE = Our Daily Bread (2005/Geyrhalter/Germany)
22. MINIMALISM (Purism) = La marche de l'empereur (2005/Jacquet/France)
23. IMMANENT (Rotoscoping) = Titicut Follies (1967/Wiseman/USA)
24. CONCEPTUAL = The Corporation (2003/Achbar/Abbott/USA)