From the reaction of Zach Campbell at Elusive Lucidity to the articles in Film Comment by Paul Schrader on the construction of a highbrow canon, I'm tempted to propose my own "counter-canon" (as coined by Zach), even though my knowledge of film history isn't wide and deep enough to allow me to do so. But I guess it's always possible to find criminally under-represented (alternative) gems when we talk about canonical masterpieces. I don't think a canon can be representative with 60 titles out of thousands of great films out there, much less for a counter-canon meant to open new leads into non-trumpetted territories, so I pushed the limit to 111 (arbitrarily) to give some room. I don't have the viewing history to make a top1000 like Rosenbaum yet. I'm not sure they are really original, but I hope there will be at least a couple of new gems new to you, that you will adore discovering. Only prime material that floored me and revealed inspired ways to form cinema. Although I tried to leave out the familiar films critically acclaimed in every academic Canon. So the complete oeuvre of Bergman, Ozu, Kurosawa, Bresson, Maya Deren, and the Soviet Montage will not make the final cut, only because most advanced cinephiles already know them.
Counter-Canon Gems anti establishment
(111 recommendations ranked chronologicaly) :
- Jean-Daniel Pollet essay-films (France) = Méditerranée (1963); Le Horla (1966); Tu imagines Robinson (1967); L'Ordre (1973); Pour Mémoire (la forge) (1978); Dieu sait quoi (1994); Ceux d'en face (2001)
- Spring of Prague (Czech New Wave) complete oeuvre : (Fruits of Paradise; Peter and Pavla; The Party and the Guests; Loves of a Blonde; Daisies; Ucho; Long Live the Republic; Marketa Lazarová; Intimate Lighting; The Cremator; Closely Watched Trains; Nobody Will Laugh; Hop Side Story; Transport From Paradise; Higher Principle; Romeo, Julie a Tma...)
- Leaves from Satan's Book (1921/Carl T. Dreyer/Denmark)
- The Phantom Carriage / Körkarlen (1921/Victor Sjöström/Sweden)
- La Roue (1923/Abel Gance/France)
- Secrets of a Soul (1926/Georg Wilhelm Pabst/Germany)
- Finis terrae (1929/Jean Epstein/France)
- The Salt of Svanetia (1930/Mikhail Kalatozov/Russia)
- The Glass Eye / L'Oeil de verre (1930/Lili Brik/Russia)
- Bezhin Meadow / Bezhin lug (1937/Eisenstein/Russia)
- Ye ban ge sheng / Song at Midnight (1937/Weibang Ma-Xu/China)
- L'Espoir (1945/Malraux/Peskine/Spain)
- Ryoju / The Hunting Rifle (1961/Heinosuke Gosho/Japan)
- Le Feu Follet (1963/Louis Malle/France)
- Pasazerka (1963/Munk/Poland)
- Un roi sans divertissement (1963/François Leterrier/France)
- Film (1965/Alan Schneider/Samuel Beckett/USA) Short
- Cul-de-sac (1966/Roman Polanski/Poland)
- Faraon / Pharaoh (1966/Jerzy Kawalerowicz/Poland)
- Irezumi / Tattoo (1966/Masumura Yasuzo/Japon)
- Ningen Johatsu / A Man Vanishes (1967/Imamura Shohei/Japon) DOC
- Faces (1968/John Cassavetes/USA)
- Je t'aime, je t'aime (1968/Alain Resnais/France)
- Coming Apart (1969/Milton Moses Ginsberg/USA)
- Invasión (1969/Hugo Santiago/Argentina)
- Korol Lir / King Lear (1969/Kozintsev/Russia)
- Days and Nights in the Forest (1970/Satyajit Ray/India)
- The Ceremony (1971/Oshima Nagisa/Japan)
- Le Moindre Geste (1971/Fernand Deligny/France)
- Viva La Muerte (1971/Fernando Arrabal/Tunisia)
- Wanda (1971/Barbara Loden/USA)
- Le Journal d'un suicidé (1972/Stanislav Stanojevic/France)
- Nous ne vieillirons pas ensemble (1972/Maurice Pialat/France)
- El Castillo de la pureza / Castle of Purity (1973/Arturo Ripstein/Mexico)
- The Holy Mountain (1973/Alejandro Jodorowski/Mexico)
- The Hourglass Sanatorium (1973/Wojciech Has/Poland)
- Edvard Munch (1974/Peter Watkins/UK)
- India Song (1975/Marguerite Duras/France)
- Impressions de la Haute Mongolie (1976/Dalí/Montes-Baquer/Germany) DOC
- Le plein de super (1976/Alain Cavalier/France)
- Twenty Days Without War (1976/Aleksei German/Russia)
- Dossier 51 (1978/Deville/FR)
- In girum imus nocte et consumimur igni (1978/Guy Debord/France) DOC
- Shoah (1985/Claude Lanzmann/France) DOC
- Le Déclin de l'empire américain (1986/Denys Arcand/Canada)
- Mauvais Sang / Bad Blood (1986/Leos Carax/France)
- L'homme qui plantait des arbres (1987/Back/Canada) Short Anim
- Lonely Human Voice (1987/Alexandr Sokurov/Russia)
- Out of Rosenheim / Baghdad Café (1987/Percy Adlon/Germany)
- Akira (1988/Katsuhiro Ôtomo/Japan) Anim
- The Eye above the well (1988/Johan van der Keuken/Netherlands) DOC
- Elephant (1989/Alan Clarke/UK) Short
- C'est arrivé près de chez vous / Man Bites Dog (1992/Belvaux/Belgium)
- De Noorderlingen / The Northerners (1992/van Warmerdam/Netherlands)
- Sátántangó (1994/Bela Tarr/Hungary)
- [Safe] (1995/Todd Haynes/USA)
- Das Schloß / The Castle (1997/Michael Haneke/Austria)
- Généalogies d'un Crime (1997/Raoul Ruiz/France)
- Lost Highway (1997/David Lynch/USA)
- Pokój saren / Roes' Room (1997/Lech Majewski/Poland)
- Alone. Life Wastes Andy Hardy (1998/Martin Arnold/Austria) Short
- The Flowers of Shanghai (1998/Hou Hsiao-hsien/Taiwan)
- Idioterne (1998/Von Trier/Denmark)
- Paris, mon petit corps est bien las de ce monde (1998/Pressant/France)
- Juha (1999/Aki Kaurismaki/Finland)
- Father and Daughter (2000/Michael Dudok de Wit/UK) Short Anim
- The Heart of the World (2000/Guy Maddin/Canada) Short
- In Absentia (2000/Quay Brothers/UK) Short Anim
- Songs from Second Floor (2000/Andersson/Denmark)
- Sous le Sable (2000/François Ozon/France)
- Altyn Kyrghol / My Brother Silk Road (2001/Marat Sarulu/Kyrgyzstan)
- Copy Shop (2001/Virgil Widrich/Austria) Short
- The Cinemascope Trilogy : L'arrivée / Outer Space / Dream work (1998-2002/Peter Tscherkassky/Austria) Shorts
- Cremaster Cycle (1995-2002/Matthew Barney/USA)
- De l 'autre côté / From the Other Side (2002/Akerman/France) DOC
- Decasia (2002/Bill Morrison/USA) DOC
- Dolls (2002/Kitano Takeshi/Japan)
- Hukkle! (2002/György Pálfi/Hungary)
- Japon (2002/Carlos Reygadas/Mexico)
- L'Homme Sans l'Occident (2002/Raymond Depardon/France)
- Los Muertos (2003/Lisandro Alonso/Argentina)
- The Brown Bunny (2003/Vincent Gallo/USA)
- Reconstruction (2003/Christoffer Boe/Denmark)
- Struggle (2003/Ruth Madder/Austria)
- Tiexi Qu : West of Tracks (2003/Wang Bing/China) DOC
- Vozvrashcheniye / The Return (2003/Andrei Zvyagintsev/Russia)
- 2046 (2004/Wong Kar-wai/HK)
- La Blessure (2004/Nicolas Klotz/Belgium)
- Our Daily Bread (2005/Nikolaus Geyrhalter/Germany) DOC
- The Wayward Cloud (2005/Tsai Ming-liang/Taiwan)
EDIT : adding 7 films by Jean-Daniel Pollet I had forgotten, and taking out 7 films that were too "classic".